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My version of a Round-Tip Pleated Hat |

Round-Tip Pleated hat as worn by Elisabeth Knollys - 1577 |
Definition:
In this paper I will discuss the Round-tip pleated hat, which can be
seen in a variety of portraits from England, Spain, and France. This particular hat
has a rounded tip. The tip was traditionally made from formed felt or hair felt.
The brim could be made from heavy paper with glue sizing or other stout
materials.
This is a foundational hat meaning that it has a solid foundation under the
fabric.
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Origins and spread of the style: One can trace
the origins of the wearing of hats as far back as primitive man. Historical
evidence has shown that some form of head covering was used for protection
against the elements.
During the late 14th and 15th centuries hats played an
important role in men's clothing and were considered an important fashion item
as well as a status symbol. I suspect they were rather like Jimmy Choo shoes of
the period.
As hats gradually grew in popularity during the 15th Century, one begins to
see tall foundation hats worn by the masses and not just the nobility.
Additionally, one begins to see women co-opting the men's hats and making
them a fashion statement for women. |
Note the number of round tipped tall hats worn by
the crowd in this wood cut:

Crowd scene from
contemporary wood cut 1560 - England |
With the increase in the number of foundational hats being
demanded, there are an
increasingly diverse range of materials used for their production. Silk, velvet,
taffeta, leather, and felted wool were used on the outside of hats and a variety
of stout foundation materials were used. Some of the most popular foundation
materials included, hairy paper, thick paper/cardboard , heavy glue sizing over burlap and
other materials with glue sizing.
In England, France and Spain, as with most other regions at this time, hats are a testament to
wealth and status. The use of expensive fabrics and large hats seems to suggest
a more wealthy status, rather like cars today.
Definition of hat |
Origins and spread of the
style | An SCA
interpretation | Tools and
Materials |Construction process
| Construction
Tips | Bibliography
An SCA interpretation:
The following table compares some of the differences between how a
Round-Tipped
Pleated Tall was likely constructed and some of the modern changes I made to
make my hat a little more wearable.
| |
Period
materials/Techniques |
My
Variations |
|
Over Fabric |
Wool, silk
velvets, brocades and satin,
leather |
cotton velvet |
| Thread |
Silk, wool,
or linen threads |
Cotton
thread |
|
Foundation materials |
Hairy felt,
felt and paper combined with glue sizing. |
tip: Formed felt with starch for sizing
Brim: two ply buckram |
| Backing
of over fabric |
Linen |
same |
| Lining of
hat |
Silk |
same |
| Interior
of hat |
Hairy
wadding |
Cotton
wadding (French fleece) |
| Finishing
touches |
Jeweled hat
band, feather, brooch, etc |
same |
Tools and Materials
- Fabric: 1 yards of 59 inch cotton velvet
- Round tip hat block
( you may be able to rent on locally in the
bay area, Lacis in Berkeley will rent for about 7$ /week.)
- 1/4 yard 100% wool felt
- 2 cups of liquid starch
- Large wash tub or sink
- Thread: Use a good quality thread - silk is best if you can find it, a
cotton thread will work too.
- Millinery needles #14 #16
- 1/4 yard of 2 ply buckram
- Millinery wire #8 or #9
- Cotton wading or French fleece
- Chalk or tracing paper
- Manila paper for pattern
Definition of hat |
Origins and spread of the
style | An SCA
interpretation | Tools and
Materials |Construction process
| Construction
Tips | Bibliography
Construction process
for Round-Tip Pleated Tall Hat:
Construction the rounded tip:
- Soak wool felt in hot water. Gently massage the felt until
it is completely soaked.
- Squishing the fabric is OK, but do not wring it.
- I find it useful to wear rubber gloves for this process
as it allows me to work in hotter water.
- Once the hat is well soaked, remove it from the water and
add 2 cup liquid starch to your water. Put it back into the hot water and
continue to massage it until starch seems worked through the felt.
- Squish excess water from felt and place over round tip hat
block, press into shape
- You'll need a string or large rubber band to secure the
felt at the bottom of the hat block
- Put about 1 cup of undiluted liquid starch into a spray
bottle, and once you have your felt stretched and secured onto the hat block, spray
liberally with starch.
- I find it useful to gently massage the starch into the
fibers. Begin at the tip and work you way down.
- Let dry completely. Usually a couple of days will do it.
- Once dry, add millinery wire around the base of the stock.
- Add French fleece or cotton wadding to the tip and down the
stock of the hat.
- Cut your fashion fabric into a circle that fits over the
top of your tip and reaches so the bottom of the stock with about 1/4 inch to
spare.
- Mark the center of your circle.
- Using a long ruler and chalk, mark long lines which
transverse the center point in pie-like lines such that there is about 1/2
inch between lines at the edge of the fabric.
- Using a hearty thread, stitch a guide line through your
lines about 4" from center and 6" from center.
- Use thread which is the same color as your hat as these
threads will remain with your hat.
- Place hat on form, and pin each quarter.
- Turn the fabric under the edge of the stock, and stitch
using a stab stitch.
Brim:
Make a brim pattern
- Measure your head 2 inches above your ear and add 1/2 inch.
This will be your head plate size
- In order to get a good head plate shape, you might find
it useful to invest in an "architect curve". It is lets you measure around
odd shapes and retains the shape so you can trace it. This allows you to
have an exact head plate. If you don't have a curve, feel free to use the
plates at the end of this paper.
- Add 1/4 inch in from your head plate, this will be where
you cut the buckram for the brim.
- The extra 1/4 inch will be used as tabs inside the hat
where you will join the stock and the brim.
- Add 2-2.5 inches from the actual headplate line, this will
by the brim of your hat. If you want a point in the front, simply add it at
this time.
Using the brim pattern
- Using the above pattern, cut 2 brims from 2 ply buckram,
one on the bias and one with the grain.
- Add millinery wire to the edge of the 2 pieces of buckram.
- Add 1/4 inch to your brim pattern and use it to cut out 2
pieces of your fashion fabric
- Add French fleece or cotton wadding to the top of the brim
- secure with large stab stitches
- Place fabric on brim, pin securely
- Turn each edge and sew using invisible stitches.
- Using chalk or a marking pencil, mark your head plate -1/2
inch on the brim.
- Cut the head along the inside line
- cut easing tabs out to the original headplate line
- fold tabs up
- Place stock on brim and sew through stock and tabs.
Definition of hat |
Origins and spread of the
style | An SCA
interpretation | Tools and
Materials |Construction process
| Construction
Tips | Bibliography
|
Adding a lining Now that the hat was looking like a hat, it was time to add a lining.
I like to use silk dupioni for lining as it has enough body to stay up in a
hat and not become floppy over time. You may wish to add a sweat band inside
the hat for comfort and to finish the look.
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Construction Tips:
-
When buying buckram, make sure you get "2 ply buckram" I like to get my
supplies from California Millinery in Los Angeles.
-
I used a regular thread for the guide threads and one ended up breaking.
Next time I'll use a heavier thread such as quilting thread.
-
Be patient when pleating, they have to be small pleats or it won't work
-
I like to use a steamer when steaming pleats rather than an iron that can
flatten your pleats and silk pile.
Bibliography:
Arnold, Janet: Patterns of Fashion: the cut and construction of clothes for
men and women 1560-1620 -- Macmillan 1985. Revised edition 1986.
Boucher, François; 20,000 Years of Fashion The History of Costume and
Personal Adornment. (Library of Congress # 66-12103).
Starkey, David: Elizabeth the Exhibition at the National Maritime Museum;
Chatto & Windus, London - 2003.
Definition of hat |
Origins and spread of the
style | An SCA
interpretation | Tools and
Materials |Construction process
| Construction
Tips | Bibliography
|